There's this great bit in one of my favourite books ever written, Nick Hornby's High Fidelity. Basically, he speaks about just how difficult it is to make a mixed CD. Now, in the book, it's written in the context of making a CD for a crush or a woman you're romantically interested in, and the whole section is sort of a metaphor for how the narrator views romance.
But the fact is, even outside of that context, he's absolutely right - making a mixed CD is hard. And it doesn't matter who it's for - your best friend, your mother, or whoever. There are rules to making a mixed CD, and it's just one big headache.
I've been working on making one mixed CD for the last week or so. Literally - a week. I keep listening to albums I have on itunes, and just when I think I've got the mix figured out, I think a bit more on it or pick up a new song off itunes and realize I need to change everything.
If people find me next week, dead in my chair with itunes open in front of me, they can safely assume that I died of a brain aneurysm brought upon due to mixed CD deliberations. The coroner will take a look at my corpse, with blood trickling out of the ear, and instantly conclude it was "musical homicide".
He'll take a long pull on his cigarette, lower his shades, and make a comment about how Steve Jobs has a lot to answer for. Then the theme song to CSI: Victoria will begin.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment