Rifflandia! Part four

The Rifflandia saga continues! 

Sunday, September 26th:  Club 9One9.

It was the last day of the Rifflandia festival, and only three venues were open.  I chose to go to 9One9 purely because I wanted to see the band Bucan Bucan.  I was supposed to meet up with the Shlesbian, Moon Rock, and Kittens.  It wasn't to be - Shlesbian and Moon Rock decided to stay home, and Kittens arrived after I had left.

It was kind of a "blah" show - at least, the part I saw.  And I had to work the next morning, so I knew staying up until 1:30 or so was probably a bad idea.

The Ballgag N' Chain Gang:  I arrived a little late, and these guys were already halfway through their show.  The music was very country-style, with a definite indie sense of self-referential humour.  I kid you not, they had a song called "Hookers and Blow" which was entirely about wanting to be a rock star so you could spend your entire income on prostitutes and cocaine. 

I enjoyed them a lot more than I thought I would.  I mean, they had a banjo.  And banjos are awesome 92% of the time.  Imagine if Lynyrd Skynyrd hadn't mostly all died in that plane crash and then decided to make funny songs, and you'd have the Gallgag N' Chain gang.  Apparently, they're also a band that occasionally cross-dresses and goes on stage in that incarnation... which is all shades of awesome.

Big Muff:  Sigh.  Big Muff.  Allow me to tell you a story.

Years and years ago, I had a livejournal account.  And one of the livejournal groups I belonged to was a group focused on playing the guitar, and getting gigs.  I was using it to try and start up my own band, which (thankfully) never took off.  Anyways, one of the people on this group was from Victoria, and the lead guitarist for a band named "Big Muff".

I talked to this girl a lot, following her blog from day to day as she chronicled her band's forming, gigging, and all that.  I knew nothing about the band, but assumed she was the only female, and that they had a harder, "not quite metal, not quite punk" sound.  Then, I stopped blogging on livejournal around 2001, and forgot all about her.

So when this band was playing Rifflandia, the name tickled my memory, but I couldn't remember where I had heard it until I saw her setting up her guitar.  Turns out, the band had broken up in 2007 and had reformed just for the chance to play Rifflandia. 

Unfortunately, they were playing music that sounded like it had come right out of 2001.  They are, by the way, a mostly female band that plays pop-punk in the vein of the Donnas, early Green Day, or even a slightly heavier Blink 182. 

After two songs, I had enough and high-tailed it.  It wasn't because it was a girl band singing about in your face, pro-feminist stuff.  I have absolutely no problem with that (and love bands with female members).  No, it was because the message they were singing was topical when No Doubt first came on the scene fifteen-odd years ago - and I really don't care.  I don't care how promiscuous you are, and how that makes you tough.  I don't care how in-your-face you are.  It sounds silly when men sing about it, and, truth be told, it sounds even sillier when women do it, because they're supposed to know better.

Okay.  Now the nice things - first, they can all play their instruments.  If they applied themselves and tried updating their sound a bit, they might even be good.  If they reworked their vocals and sang about real things (and not be so "tough" - it's just silly regardless of gender), it could be alright.  And if they broke out of that verse/chorus/verse/chorus/interlude/bridge/verse/chorus/chorus structure they like to follow, who knows?  In short, either they need to keep up with the times and update, or rework that music they used to love and find some unique spin on it. 

Anyway, two songs in, I shook my head and said "fuck it" and walked home.   There was no way I was going to endure 45 minutes of that for bands that I knew nothing about.  I went home, picked up some Noodle Box on the way, and had a relaxing evening. 

(Please note - the video I've linked to had only 3 views at the time of linking, so I think I'm not alone in disliking this band. )

In other news...

...I got fired yesterday.  Or rather, "terminated without cause".  I got a basic severance package and a firm kick on the butt to get the hell out and not come back.  After talking to a few of my former co-workers, I have a sneaky suspicion that the entire office is on the way to being outsourced, and my little corner of it was just one of the first to get cut away.

Basically, I got called in the office at 2:20, and was walking home by 2:30.  My immediate supervisor apparently didn't know about it until about an hour before it happened, and basically had me training the temps on last-minute stuff so that they'd be able to do their job today. 

We saw it coming, but that doesn't mean our head boss isn't a dick.  Basically, we kept telling him that we need more people, that two people are doing the work of at least four, and it was putting us more and more behind.  And he would never hire anyone... and then had the nerve to tell us that, basically, the reason we were getting laid off was due to the fact that we couldn't meet our work load. 

This made me laugh.  Because I'm strange like that.

I'm taking today off, to sit back, play some xbox, and clean my apartment.  But starting tomorrow, I'll be job-hunting.  My goal is to find new work within two weeks.  I was kind of thinking quick updates everyday could be fun, putting my cynical wit to good use. 

Rifflandia! part three.

Dave's coverage of Rifflandia continues!

Saturday, September 25th:  Sugar Nightclub

The Shlesbian and Moon Rock decided they wanted to go to a different show, down at Philip's brewery - a collection or more hip-hop style bands.  I believe my exact comment was "there is no way I'm going to watch a bunch of people rapping about stupid crap when there are Dodos to be seen".  You may recall a few weeks ago, when I wrote a long post about just how awesome the Dodos are.

The problem was, the descriptions of all the other bands playing that night sounded atrocious.  Bloody Wilma was described as a "bass and drum duo" playing heavy music (ugh).  The Globes were a psychedelic indie rock group.  And Hollerado had this very annoying blurb that made them sound like the worst of the worst... although the Shlesbian assured me that they were good.  But that's not always an endorsement - the Shlesbian and I do not always agree when it comes to music. 

But I was ready to endure three hours of crappy bands.  The Dodos were at stake.  Hell, to be honest, I was ready to endure six hours of crappy music for the Dodos.  I would sit through a two hour show by Green Day to see the Dodos - that's how dead set I was on seeing them.  I did, however, decide to skip the opening act, Bells and Cannons.  I have no idea if they were good or not, though considering how the rest of the night turned out, I'm now regretting it.

You see, this night was the best concert I've ever been to.  And I've seen Robert Plant.

Bloody Wilma:  I came into the nightclub while these guys were about mid-act.  When I first walked in, I was sure it was just the canned music they play in between acts.  I remember thinking "geez, this music is pretty groove-heavy for filler music....".  Turns out, I was completely wrong. 

Imagine stoner rock in the style of Om, only with less chanting and faster beats, and you'll have a pretty good idea of what these guys sound like - and I have to make comparisons because these guys seem to have absolutely no music whatsoever on the internets.  Apparently, stoner rock isn't all that popular in Victoria, which is where these guys predominately play - and I find this very odd.  After all, we have plenty of stoners.  And an island is just an oversized rock.  Therefore...

The funny thing was, everyone was surprised at just how awesome these guys were.  Nobody expects a bassist/drummer combo playing a variant of hard rock in the vein of bands like Kyuss or Black Sabbath to really do well in a music festival aimed at the indie crowd.  "Metal and Indie, and nary the twain shall meet" - and yet, everyone was nodding their heads, dancing, and buying albums. 

I staked out a chair and watched the band while drinking five dollar rye and gingers.  I was completely bemused by the fact that these guys were playing stoner rock - one of my absolute favourite genres of music, due to the importance of the rhythm section to set the tone and "groove" of the song.  And I was bemused by the fact that everyone was loving it. 

My musical doppleganger

The Globes:  I moved to the front of the masses, stage left, while this band was setting up - and I would stay there for the rest of the night.   While the band was setting up (Mother Mother was the canned music, FYI), I realized the guitarist looked rather similar to me... and he was playing my dream guitar.  A gibson double cutaway,  2 volume controls and 2 tone controls,  and less flashy hardware - it was even the right colour!  I talked to this guy about how awesome his guitar was while he installed pedal after pedal, and it turned out that he knew very little about his guitar and just how awesome it was.  This bugged me, but hey, to each their own, right? 

And then the band started.   They were not bad, but they were not awesome.  I refer to them as the low point of the night, but the fact is, they were still one of the better bands I had seen in the festival.  Their music was fairly upbeat rock, with some neat guitar and drum lines.  Unfortunately, they had two factors that were working against them.

First, they were a bunch of band geeks in appearance.  Now, image isn't everything.  In fact, I'd say that most indie rock bands are a bunch of geeks in appearance.  But there's a difference between a geeky band like, say, Weezer, and a geeky band like, say.... wait, I can't think of a successful band that is composed entirely of geeks that look like geeks.  Take a lesson from that if you will.  I won't lampoon the individual ways each member looked like a band geek, because it's really throwing stones in a glass house, but let's just say that they could use a wardrobe change.

Second, and more importantly, they used far too many effects pedals.  As in, one of the guitarists (the "Dave Doppleganger") was always using his feet to tap a pedal - every few seconds.  This meant that he didn't move while he played.  And bands that don't move are, generally, really boring live. 

This is made worse by the fact that their songs were great - but the fact that only the bassist was really moving meant that most of the songs were poorly presented.

Okay, all those negatives out of the way, let me point out the good things - they had a great rapport with their audience, they recovered well from those slip-ups that inevitably happen during a show (I think the bassist and the lead guitarist actually crashed into each other at one point - and they made it look awesome), and - most importantly - their music is well-crafted.  If they came back to Victoria, odds are pretty good I'd catch them again... if only to see my dream guitar again. 



Hollerado:  Here's what I remember of this band:

1.  They came on the stage.
2.  They played amazingly awesome old-school style rock and roll music that was modernized and distilled into pure awesome.
3.  They left the stage, and - much like the aftermath of an alien abduction - I found myself missing about an hour of time.   

Seriously.  The crowd was going absolutely retarded (At a stage five, "I am Sam" level on the retard scale), and I was blown away.  I remember thinking to myself "oh, crap, now I have to buy their record, and I just can't afford it".  Luckily, after the show, the lead singer told me it was on sale on iTunes. This is pure awesomesauce in my book (because, while I don't talk about it much here, a reduced Carbon footprint is a good thing). 

I also told him he was the best band I'd seen play all weekend, and that they were one of the best bands I'd ever seen play live.  He grinned, thanked me, and I realized he was used to hearing that after every show - and with good reason. 

As an aside - you can see my arms in the Rifflandia gallery for the Hollerados.  That's me, stage left.  My arms are crossed not because I'm bored or anything, but because I was catching my breath after so much jumping and craziness... plus, I think they were playing a slower song.  And yes, they were constantly in motion, even when playing slower songs. 

Another thing - after this band had stopped playing, I was actually worried.  Because I was sure there was no way in hell The Dodos were going to be able to beat that pure level of energy. 

My bad.

The Dodos:  Okay, the problem with talking about three or four bands per post is that you have to cut stuff out in an effort to reduce your post size to something even remotely manageable.  I mean, these rifflandia posts are HUGE, and I'm barely scratching the surface. 

The thing is, I could fill three or four blog posts with nothing but info on the Dodos and how amazing they are live.  Seriously, I could gush about their music for a month. 

Here's the basics:  you have three band members.  One plays guitar and sings.  One plays the drums.  And one plays a gigantic xylophone and a few drum snares and whatnot. 

In case you don't know, I'm a huge fan of the drums and percussion in general, so any band that has more percussion players than guitarists is all aces in my book.  But it gets even cooler, as the drummer doesn't use a bass drum.  Or a high hat.  Or, really, a snare drum.  He has a tamborine taped to his feet. Most of his drumming consists of using the toms and the rims of his drums.  He plays the drums in a way I've never seen before - it's almost as if he's playing an entirely new instrument. 

During the whole show, the crowd was banging against the rail that divides the band from us, the unwashed masses.  People were screaming in sheer joy.  Clapping along to the music.  Even singing along - I sang at the top of my lungs during "Fools".  When a string broke on the guitar, the drummer did some amazing drum work to keep the crowd occupied.  And when a second string broke, the band had to call it a night - only to hear the crowd chant "one more song" for at least five minutes.

They came back on stage with a borrowed electric guitar (I think it belonged to the lead guitarist from The Globes) and went through an electric version of Jodi that drove the crowd into absolute craziness.  I remember at one point thrashing against the rail, looking across the crowd, and seeing this girl at far stage left.  She looked at me, smiled, and it was like I knew exactly what she was thinking - "holy crap, can you believe we're here, seeing this?". 

When the band left the stage for the final time, I got my jacket from coat check, and stepped out into the night.  It was 1:30 am, and there was a downpour.  I walked home, got drenched, all the while listening to The Dodos on my iPod.  I barely noticed the rain. 

Weekly Haiku #30: More Rifflandia!

caught your eye during
the dodos encore... we grinned
and shared the awesome


Rifflandia! Part two

Ongoing coverage of the rifflandia music festival continues!

Friday, September 24th:  The Market Square Show

My dear friend the Shlesbian, being a fan of the Tragically Hip and their lead singer, Gord Downie, really wanted to go to Market Square friday night.  I was hesitant at first, because last year at Rifflandia, I spent the entire Market Square show freezing my butt off and trying my best to not look cold while trying to prevent Kittens from turning into ice. 

But I decided to follow her this year, not so much for Gord Downie and more for Yukon Blonde.  But I prepared myself for the worst this time around, and wore three layers, my hockey toque, and two layers of socks.  I also stuffed my pockets with diabetic life-savers, which actually happen to be lifesavers candy. 

Strangely, when I got to  Market Square, the Shlesbian and Moon Rock were in the exact same spot Kittens and I had been at the year before.  This being Market Square, which is a rather large outdoor venue, this was just a little odd.  I'm going to attribute it to the fact that the Shlesbian and I tend to think alike in many ways, so she would naturally gravitate to that spot. 

The whole show was being filmed and recorded by CBC Radio, so over the weekend, most of the good shows did wind up playing at the Market Square venue.  Even if it was a bit chilly.

The Zolas:  I didn't really catch much from these guys, as I arrived late, and I can't really recall anything about their music.  Their lead singer wore a red jacket that reminded me of Marty McFly from Back to the Future.  I know they played electric rock, and it wasn't bad or anything, but nothing really stuck out in my mind.

Most noteworthy was after their show.  The Shlesbian, Moon Rock and I were directly above the area where fans could purchase albums directly from the band, and maybe even talk to the musicians.  And we watched as one very persistant young lady kept talking to the lead singer.  And then we watched as the lead singer and this young lady disappeared.  And then we watched as they came back about an hour later, and did their best not to make eye contact with one another.

 I actually got to ask Marty McFly lookalike about this saturday night, when I saw him in between sets at Sugar Nightclub.  I told him he did a great show and then jokingly asked what happened with that brunette chick he walked off with after his set.  He blushed, thanked me for my compliment, and didn't answer my question - and then we talked about guitars. 


The Zolas:  Okay... everytime I look at this
picture, I keep expecting him to start playing
"Johnny B. Goode" while Doc Brown looks on,
approvingly. 

Maurice:  This is where Rifflandia really started getting good.  Maurice was this really energetic band that had a great rhythm section, and you could see when they were up on that stage that they were having the time of their lives.  The music was energetic, and everyone in the crowd was really getting into it.

I got this vibe that the band was really young and this was their first show, because their energy level really felt like that, but apparently they've been around for a while, and their album was actually, in fact, signed by the super famous and respected musician David Foster.

At one point, the bassist climbed up their tower of amps, gave the V for Victory to the fans, and leaped down to the stage... breaking his ankle in the process.  He kept on playing for the remainder of the song, and then limped off stage.

We saw him leave Market Square in an aircast, being carried by his band members. 

Now that's fucking rock and roll. 

Yukon Blonde:  Energetic rock music that just blew my socks off.  They play these songs that are just so infectious that they get burned into your head like some sort of awesome audio disease. 

Moon Rock didn't seem like he was going to be that into them when I gave the brief description, but by the end of the show, he was grinning almost as much as everyone else - and I count that as a victory.

I knew these guys were going to be good, and I did not leave disappointed.  'Nuff said.

Jets Overhead:  As the Shlesbian and I watched these guys set up, I kept thinking to myself "hm, they look kind of familiar....".  They got up on the stage, and I couldn't help the feeling that I'd seen them before.

When they started playing, I realized I had seen them before.  Last year.  In the same music festival.  In the same venue.  In fact, the last time I had seen them, I'd been freezing my nuts off, wondering if I was going to make it through the night.  This time around, I could focus on their music.

Hate to say it, but were it not for this blog post, I imagine that next year at Rifflandia, I wouldn't remember these guys.  They just don't stick out in my head - except for the songs where their female keyboardist sings.  Those songs just have a better all around sound.  Actually, if she had a solo project, I'd probably be pretty interested in hearing the results - I love the sound of her voice. 

Not to say that this is a bad band - just that they're not really my cup of tea, and the music doesn't really have a whole lot of groove or energy to them.  They start the same way they end, which is a musical sin in my book.

Gord Downie & The Country of Miracles:  If you're canadian, you know who Gord Downie is already - he's the lead singer of the quintessential canadian band, The Tragically Hip.  If you're in your twenties, like myself, you've been listening to "the Hip" for most of your life.

This music?  Not so much.  He started the set off with free verse poetry that made little sense.  His bassist was a woman of indeterminate age who had a cast on her leg and hopped all over the stage, which was kind of funny.  Also funny was the drummer's ridiculous hat.  Plus, the band had a theremin, which is the height of awesome - the Shlesbian can attest to the fact, as I spent the entire length of time the band was setting up going on (and on) about just how awesome an instrument the theremin is. 

All of this random, weird stuff, should have been a precursor to an awesome show.  In my humble opinion... it wasn't. 

I watched them play about three songs, realized the lifesavers candy I'd been chewing all night was no longer doing anything for me, and had to go home to get more sugar into me lest I fall over and go into embarrassing seizures. 

Apparently, it was a fairly bland show, except for the part where the band's power went out halfway through a song.  And, as everyone knows, the theremin cannot be played without electricity.  And that's no fun.

Rifflandia! Part one.

Last week, yours truly was at Rifflandia 3.  For those not in the know, Rifflandia is a multi-day, multi-venue music festival, chock-full of super amazing awesome indie rock bands.  Basically, you can go from venue to venue, watching the bands that you like, and all it costs is $65.00 ($75.00 after taxes).  Considering that you could conceivably see up to twenty bands over the entire weekend, we're talking a price of less than four dollars a band!

Now, I wanted to give you guys a rundown on the awesome bands I saw, in the hopes of getting even more people to show up next year, at Rifflandia IV:  A New Hope (apparently, that is the name they are going for, which should give you an idea just how awesome this festival really is).  It's going to be a long list of bands, so I figure I'll spread it out over the course of the week. 

This has nothing to do with the fact that I can't think of anything else to write in this blog right now.

Um....  Anyways...

Each band name links to their website, and I'm trying to include youtube links to their music (if possible, an actual peformance from Rifflandia - maybe you can even see me in the video!?).

Day One:  Thursday, September 23rd.  Club 9One9.

I got here early.  In fact, I was the first person in line.  I said to the guard "Um, where's the line?" and he said "Uh, you're it."  I looked at my clock.   It was 7:15.  The show started at 7:30. 

"This is weird.  I'll be back in ten minutes," I said, and then walked around the block.  When I came back in, the doors were open, and I grabbed a really good seat.  The Shlesbian and Moon Rock joined me a little bit later, and we watched a bunch of bands.  And drank.  We left early, because it was thursday, and we all had to work the next morning.  Also, the bands were not really that good.

Geoffrey Lundstrom:  I only figured out this guy's name because it was on the Rifflandia website. Not once during his set did he say his name, or why he was there and not the band on that silly little schedule that was given us.   Because the guides said it was supposed to be a band named "Vicious Cycles" - which doesn't seem to fit a guy that played acoustic ballads on an old guitar.  I have a feeling Mr. Lundstrom was a last-minute fill-in, because the Vicious Cycles group didn't want to be the openers for a thursday night show that was guarenteed to have a fairly small showing.

This was probably good in the long run, because Geoffrey Lundstrom was actually pretty good.  He made a few quiet jokes, played some nice-enough music, and didn't seem too annoyed by the fact that most of the crowd wasn't paying him the slightest attention and were, in fact, trying to talk over him while they jostled for their seats.  They did shut up when he did a Springsteen cover, which made me feel bad for the guy - if the only time you get a good reaction from the crowd is when you play someone else's music, it can't feel good.

So, yeah, he was a decent enough musician, but his single ear ring, jean jacket, and silly little fedora made him look like a douche.   No, really, it did. 


The keyboardist from We Are the City looks suspiciously like
Peregrin Took, if "Pippin the hobbit" shaved his feet and wore
skinny jeans. 
Acres of Lions:  Indie rock band that plays, well, energetic indie rock.  I had never seen them before, but a lot of locals were excited about seeing these guys, because they are all Victoria boys.  Their lead singer was a little chunky, and after two songs, he was sweating rather heavily - which I prefer to the alternative (bands that just sit there and have absolutely no energy whatsoever).

Thing is, I didn't really like these guys, but that's entirely because they were playing a type of music I'm not really into (energetic electric indie rock).  I would recommend them to friends in a heartbeat, and they were probably the nicest band I saw thursday night... but their music isn't really my cup of tea.  To put it bluntly, they're Earl Grey, whereas I'm more of a Chai type of guy. 

Or something. 

Best part was when the singer declared "this song is about a tv show that got cancelled way too early".  I bet the Shlesbian that it was about Firefly.  We listened to the song, and the only lyric I heard was "The Yellow Sun was retarded".  Then, the lead singer told everyone afterwards that the song was about Firefly.  I stood up, pointed at Shelley, and yelled "HA!  I'M RIGHT!". 

I acted like a douche... and I didn't need a jean jacket or a hat to do it. 

We Are The City:  A three man group (drummer, keyboardist, and guitarist) that sort of remind me of a stripped-down Cold War Kids.  Imagine songs that are super soft, mixed with parts that rather frenetic.  They were the best band we saw that night.  I bought their CD, which has a title that makes is sound a lot more pretentious than it actually is.  Thumbs up for that.

Plus, they had a buttload of energy, and I think the keyboardist actually played using his foot for a little bit.  These guys won a music award a few months ago, winning something like a hundred thousand bucks in a city-wide contest in Vancouver (the band, by the way, is from Kelowna).  I have a sneaky suspicion they're going to be around for a while, and we'll see even better albums from them in the future. 

Of course, maybe I'm just crazy, because after this set, Moon Rock shook his head and said "fuck it, I'm going home," and left.  So maybe not everybody was as jazzed by these guys as I was. 

The Hounds Below:  The Shlesbian and I wanted these guys to be good.  I mean, one of their band members was in a wheelchair.  And when we see handicapped people, we always seem to root for them in whatever it is they're doing.  Granted, I did crack a joke or two when I wondered if it was a smart idea for a handicapped keyboardist to use so many foot pedals, but I was generally on my best behaviour.

Unfortunately, their music sucked.  Imagine generic rock and roll from the late nineties.  Now, let's strip it of any energy it may have.  Okay?  Now, let's lose any originality.  Following me?  Alright, cool - let's also make everyone in the band wear dress like they're replacements for The Strokes, and let's have this indie band that no one's ever heard of swagger like they're The Rolling Stones.  After all, they have to be cool - they have a cripple on keyboards. 

After a few songs, the Shlesbian and I decided to head home. 

We missed the closing band, an energetic punk band that used to be named "You Say Party... We Say Die".  After the unfortunate death of their drummer, they changed the name to "You Say Party".  Considering my streak of douchiness throughout the night, I'm actually kind of glad I didn't see them, because I have a sneaky suspicion I'd just make Spinal Tap references

On edited posts -

You ever write a post that is kind of funny, read it a few days later, and realize it sucks? 

Because I have.

It used to be here.

Now it is not.

Carry on.